The 3L Mantra to live by!

What a packed but exciting month. Just came back from New Delhi after a stimulating workshop with a group of interdisciplinary scholars and activists at the IIIT Delhi campus. This international Symposium on Digital Politics in Millennial India is part of a larger project on politics in digital India by Sahana Udupa at the Ludwig-Maximilians-Universität München . Here, I spoke about the impact of datafication and bots in the political life of low-income communities in India. While these talks were going on, the prestigious  Jawaharlal Nehru University staff and students were on strike due to policies from the government that was infringing on their academic autonomy. There were also a number of scholars from the United Kingdom who were also in the midst of the largest academic strike over pensions and the growing privatization and commodification of education. This was a humble reminder about how knowledge is deeply political and how we need to continuously struggle to keep it pr

This international conference at the Collège des Bernardins was on the topic of " L’humain au défi du numérique " . Basically, it focused on digital & cultural diversity. Following the work of Milad Doueihi, the Chair of the Collège des Bernardins on " The human being with the digital challenge ", the study day "Numerique & Diversité culturelle" proposes to examine the digital experience in other regions of the world and the possibility of thinking differently, using different methodologies and categories of thought. Can we still study digital culture, or produce an audible discourse on it, without systematically discussing the issue of digitization, encoding, mapping, data and usage? The meeting of computer science with the human and social sciences seems to have tightened the perimeter of the latter. The suspicion that weighs since their origins on their scientificity and their social utility is thus based, at a time when public funding is

I am so proud of my recently graduated master students Jessica Verboom and Daria Gladysheva for successfully working together on this paper and getting it published in the Digital Culture and Education Journal. So far, in the last 5 years, I have co-published 4 articles with my students and I hope many more to come. Its good to see their work reaching the public as we are mainly targeting open access journals for wider readership. So this paper is about the phenomenon of museum communication through online video hostings, either by using YouTube or a customized platform. The videos uploaded by museums present a combination of educational and entertaining content depending on their objectives, attracting users to watch art content online. While the literature on uses and gratification is highly represented in media studies, few studies exist about the specific user motivations and gratifications of new media platforms in a museum context. Three types of users were identified

Next week my colleague Filip Vermeylen and I are heading to Zurich for a speaking engagement on art expertise in the digital age. This  colloquium is being organized by the Swiss Institute for Art Research (SIK-ISEA), Institute of Art History at the University of Zurich and the Centre of Cultural Law (ZKR) at Zurich University of the Arts (ZHdK). Looking forward to what apparently is going to be a very 'Swiss' experience as the talks will be in German, English and French with simultaneous translations!  Besides, this could not have come at a better time as we just published a paper in the Information, Communication and Society Journal that speaks directly to this topic. Basically, the premise for our talk is based on the fact that at this point, few challenge the fact that recent developments in the art world are hugely impacting the process of knowledge construction in the arts and the valorization process in the art market. According to some observers, the digital

My paper, " Typology of Web 2.0 spheres: Understanding the cultural dimensions of social media spaces" has come out in the Current Sociology Journal. Abstract: It has taken the past decade to commonly acknowledge that online space is tethered to real place. From euphoric conceptualizations of social media spaces as a novel, unprecedented and revolutionary entity, the dust has settled, allowing for talk of boundaries and ties to real-world settings. Metaphors have been instrumental in this pursuit, shaping perceptions and affecting actions within this extended structural realm. Specifically, they have been harnessed to architect Web 2.0 spaces, be it chatrooms, electronic frontiers, homepages, or information highways for policy and practice. While metaphors are pervasive in addressing and normalizing new media spaces, there is less effort channeled into organizing these digital domains along cultural lines to systematize and deepen understandings of its histories,